In response to requests from my increasingly large continuing clay student cohort, today we held a raku firing just for intermediate, advanced and independent clay students. Everyone present had participated in at least one raku firing previously, and several students had done many firings.
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Tonya's "horse hair" technique. She got some impressive results with feathers |
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Grace moving hot work. Mike adding combustibles to the barrel. |
We instituted a new policy designed to get the work to the kiln more quickly. Though the pilot run of the new policy had a few snags, the overall effect was to reduce firing time significantly. Also, because everyone followed directions and was prepared, nothing exploded during the firing, I didn't have to stand next to the kiln calling for more work and, to my knowledge, no one left the firing unhappy because their work didn't get in.
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Our kiln setup in action. |
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Katie removing a hot pot with her new red glaze. |
We fired in the afternoon today and I didn't have to do very much work since the students took the lead on set up, running the reduction buckets and removing work from the kiln, and even clean up. I even found myself in a few conversations about reduction, the burner set up and some other, more advanced level conversations, since the basics were running smoothly.
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Janice's flashy vase. |
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Tonya's horse hair pot. |
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Adding leaves to a reduction bucket. |
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Janice's successes. |
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Resolution for next time: remember (on the first try) how we set up the counterweight. |
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