This weekend I put the finishing touches on my last piece and took my sabbatical work to Oak Hollow Gallery for the new show that opens Tuesday. The show features my ceramic and bike part sculptures and photos by Becky Blair, Jeff Reynolds, Corinne Hines and Eric Tchemitcheff.
|an accidental picture that I kinda like|
I made some changes to one of my pieces last week, but I still wasn't entirely happy with it on Saturday. I used a large quantity of epoxy to attach the metal pipe to the ceramic base. I needed a lot of epoxy for stability, but I didn't like the look of the epoxy at the seam between the ceramic and the metal.
|the ugly, but strong, epoxy attachment|
It is obvious that the ceramic and bike pieces are not built and fired together, but I find myself torn between wanting to acknowledge the built and combined aspect of the work and wanting to hide the attachments. I return to my inspiration, prostheses and mechanical supports, and these, too, may have visible attachments and abrupt changes between the soft natural forms of the body and the hard manufactured or built surfaces of the prosthetic. Part of the appeal for me, aesthetically, is the contrast between the two surfaces, so I hardly want to obfuscate the differences.
|the hidden epoxy|
Though I don't think the essential question of attachments and joints between the two materials is answered completely, I addressed the issue in this particular piece by camoflauging the epoxy with paint. I am happier with the piece today than when I first put it together. I expect to explore the question of how to hide or celebrate those mechanical/clay boundaries in future work.
|"Bespoke Piece" 2014 --it spins!|
I took the last two pieces to the gallery today after my morning boot camp class. Josie, the gallery owner, had my work out already but most of the photographs weren't up yet. I placed my last two pieces and tried to take some pictures of the gallery arrangement, but I was apparently still shaky from my boot camp class, so my photos turned out blurry.
|let's pretend the blur was done intentionally so that you need to come see the show|
|the gallery before the work was installed|