Most of these pieces incorporate mulberry paper or other handmade papers.
Here I added paper to the body of the pieces to provide a textural and color contrast to the glazed end of the pod or seed.
Some of the pieces I photographed this morning were actually formed last year or before but I was unhappy with the glazed or underglazed surfaces and wanted to enhance them with the softer paper texture.
In this box the paper softens the sound and feel of the ceramics. I carried the paper over the top edge of the bottom piece. When you put the lid on, the ceramic edge sits on paper rather than clinking or scraping right on another ceramic edge.
This was originally made as a multi-part lidded box but for some reason the lid was permanently attached. (It's been too long; can't remember what happened.) The piece doesn't fit particularly well with the rest of my work. I was thinking of those baby toys where the child pushes a handle down and the balls in the container below spin. Since the piece was already damaged I decided to play with a different type of textured paper.
I still have a few pieces I am waiting to finish. I saw waiting, but truthfully this first week of classes was so busy I didn't have a spare moment until today. These pieces are the uninjured pieces that would be okay without the paper but I think would be enhanced with the paper. I guess I was afraid to start on them until I worked out some of the kinks with the broken, cracked and maimed pieces from last year.
This piece from last year looks find on the end but is a little dull when viewed from the side. I believe I always intended to try paper on this piece.
Last year was the first time I started experimenting with mulberry paper. I only made a few pieces but I was pretty happy with the results. I sold one of the two small pieces below.
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