I have now fired thrice in the last six weeks, meaning I've been eking out time in my studio to glaze and weekend time to load and fire. The firings have been fairly dull so far; just some low fire odds and ends that had been waiting since last summer.
|This is a staged shot, I forgot to actually snap a picture when I was unloading the kiln.|
I have a new small kiln that my parents brought me from a friend in Wisconsin. It doesn't have more than one shelf at the moment, but I was able to balance a large domed piece on stills in place of a shelf and thus fire, essentially, two layers of work.
|This is the real firing, after I pulled out the dome piece.|
The dome on stilts fired just fine, but either the entire kiln or just some of the pieces under it wobbled at some point, probably when I was closing the lid, and fell off their stilts and into one another.
|Oh no, those red pieces are stuck together!|
One small piece fell of its stilt and just glazed itself to the stilt. After unloading that kiln, I realized that it would be beneficial to reorganize (by which I mean organize for the first time ever) my fairly massive stilt collection.
|And that weird purple thing is also stuck to the stilt.|
That I have so many stilts is mostly a function of how I got the kilns and partly a function of another donation of stilts from a now forgotten source. Some of them are great, some of them are not, but I think I've only ever actually purchased one small container of metal stilts.
|So many stilts, now sorted by size and type.|
The size of my stilt collection is roughly the size of my underglaze collection. After sorting the stilts (with some help from the kid) last weekend, this weekend we sorted the underglazes. Sorting my underglazes consists, in large part, of consolidating half full and mostly empty 2 oz jars and rehydrating quite a few of them. I have purchased numerous 2 oz jars over the years as portable sample sets and because some colors don't come (or didn't used to come) in pints. Unfortunately the pints stay liquid much better than the small containers.
|Duncan Cover-Coat Underglazes|
I have two different brands of underglazes (and a few odds and ends). The Amaco Velvets are my faithful standbys and what I use most of the time, but I have full box of Duncan Cover-Coats, too. The Duncan line has some colors I like and they are generally cheaper, but I've had a few instances of peeling underglaze in the last year and those seem mostly to be the Duncans. The Duncan 2 oz jars are great for pouring out glaze, but terrible for this weekend's consolidation project, as the neck of the bottles narrows, preventing a tool from scooping out the extra stuff.
Amaco Velvets and Liquid Underglazes (sorted into warm and cool boxes).
After consolidation, I took a full inventory of my underglazes (and the extra precaution of labeling the lids or easier identification in boxes) so I can replace those I am missing. A few years ago I made some reference tiles for my underglazes. I painted the number of each glaze (the numbers are short and easy to find when reordering) and lines with three different thicknesses of application onto bisque tiles. I then striped one section of the tile with clear glaze and fired them. These tiles are a handy way to check which glaze I used on a fired piece, since wet and even dry glaze doesn't always look the same before and after firing.
|Some of my underglaze reference tiles.|
With these tiles, my consolidated and labeled bottles, and my inventory, I was quickly able to determine that I am out of Amaco Velvet underglaze V-372 (Mint Green). I needed to determine this because last year I inexplicably used V-372 it on most of the bottom of a piece, but not all. Then I fired it so that it is permanent and promptly forgot what I had done. Now I have to fix it, but at least now I know what I need.