Tuesday, August 9, 2022

Second Annual Yakima Artist's Studio Tour 2022

 

Studio Tour

Come visit my studio at 203 S. 8th Avenue in Yakima for the Second Annual Labor Day Artist's Studio Tour, sponsored by Artebella Gallery. My studio will feature new work made this year, as well as some older work. All work is for sale, but, in case you hadn't heard, I had cancer this year, so I didn't produce large quantities of work. 




What: Yakima Artist's Studio Tour

Dates: Labor Day Weekend, September 3, 4, and 5

Times: Saturday and Sunday 10-4, Monday 10-12

Who: Rachel Dorn, Chris Otten, Monika Lemmon and ~30 other local artists at 7 other locations in Yakima!

Where to start: Start your Tour at my house: 203 S. 8th Ave in Yakima

Cost: $10 per person gets you into all 8 locations and all 3 days! Buy your tickets at my house on the day of the tour



If you are looking for hand-made ceramic sculpture, pottery, photography, prints, paintings, or jewelry for yourself or as a gift, we've got you covered. More paintings, jewelry, and wood at some of the other 7 locations featured on this year's tour. If you liked what you saw last year, check us out again, there are more artists invoved this year. If you aren't looking to buy, we're still happy for you to come visit with us this year!

my studio (just my work and Dezignosaur) during last year's Tour

Cancer Bulbs

The new items I spent most of my time on this year were port-a-cath bulbs I made while contemplating chemo and the strangeness of having a device implanted under my skin to be used to infuse poison into my whole system. Weird.

I'm glad the port is now out of my body, but the port-a-cath imagery isn't quite out of my system. Soon I plan to write a whole post featuring these bulb sinstalled as intended. The Tour should provide me with the opportunity to hang them--once I finish cleaning my studio.


Besides the 30 some bulbs that are out of the kiln, I've got another kiln loaded that won't be ready before the tour.
the kiln load right now, with some cancer and some abstract bulbs


Cancer Sculpture

I did make some sculpture this year, even if it's hard for me to remember when I made what. Incredibly, one of these sculptures was already in a show this year. How did I do so much and so little in one year? 


Not all of the sculpture was cancer-themed, but my whole year sure was!



Cancer Mugs

Riffing on the idea of the port-a-cath, but also, apparently, trying to infuse your morrning caffeine with a bit of the nausea that marked my winter months, I also created a limited number of cancer mugs. No pink ribbons here, but there might be a pink heart that is a port-a-cath in disguise. I'm guessing these mugs are an acquired taste--possibly aquired by knowing what the heck a port-a-cath is anyway.


More Pottery

If chemo imagery isn't your flavor, I've also got some new and some old pottery for sale, including plates, bowls and maybe some other mugs. 




Abstract Bulbs

At some point, I ran right out of energy to think about port-a-caths and chemo, so I made some abstract bulbs that aren't trying to "be" about anything much. Except for the one that is about lumpectomy. It isn't pictured here, but it might be on display this weekend.


My Incredible Colleagues!

This show isn't just about me. This year we're aiming for a mini-YVC art theme. Chris Otten and Monika Lemmon will both be showing there work at my house and I can guarantee that they've got 100% fewer port-a-caths. Unlike me, they probably thought about something other than breast cancer sometime during the past 10 months.

Echo by Monika Lemmon

Paper Cave by Chris Otten


Dezignosaur

Even my kid thought about something other than cancer this year. The fabulous young team behind my favorite kid-sourced polymer clay jewelry, Alison, Nancy, and Mili will also be showing at my studio again this year. Check them out on Istagram or just check out their work this weekend. I heard a rumor that if they sell enough jewelry to afford a Boba tea, they'll bring me one too (full disclosure: I started this rumor, too).

Some Dezignosaur work from last year's show



Thursday, August 4, 2022

Yakima Artists’ Studio Tour


The Artist's Tour poster for this year
 

Next month is the second annual Labor Day Weekend Artist's Studio Tour in Yakima. The event features 7 studios and over 30 artists at those studios. The Tour is only $10 per person and that one ticket gets you into all 7 studios anytime during the three day weekend. At the studios you can talk to artists, see their workspacee, see their work, and buy art. Some artists may even be demonstrating during the tour.

work on display in my studio for last year's tour


This is not the Tour of Arists Homes and Studios that Larson Gallery used to run in Spring. This event features working artists and their studios only (no art collections or whole homes) and also features lots of artwork you can buy and take home for your own collection. This show is sponsored by Pamela Searcy's Artebella Gallery and Pamela has done a great job of taking care of all the advertising (I was happy not to have to think much about that this year).

postcard for this year's tour


My studio was in the tour last year and I enjoyed having people visit the studio. For me, it's a nice way to show off my studio (newly remodeled in Winter 2020) and talk to art lovers about art. I enjoy doing shows, but I don't enjoy standing in the sun or transporting my work to a different location. With this tour, I can stay inside (or in the shade in my lawn) and people come to me.

works in progress for this year's tour


The past year since last year's tour has been a bit of a rollercoater (she says, downplaying the drama). I found a lump in late September, was diagnosed with agressive breast cancer in November, and have finished 20 weeks of chemo and several surgeries, plus ongoing occupational and physical therapy to prevent lymphedema and bring back full-range of motion after the surgery. By Labor Day weekend, I will have finished 32 of my 33 radiation treatments.


A piece I finished earlier this year (and showed at Larson Gallery for the student show)


Despite all that, I have spent some time in the studio. I've built quite a bit of new work that integrates port-a-caths into the design and I've even got some thrown work in progress (bowls, plates, and cancer-y mugs) from earlier in the year. I've probably only finished one sculpture since the last tour, but I have work in the kiln today and I'm hoping that my energy holds out (through at least another week or two of radiation) so that I can finish the rest before the tour.

port-a-cath bulb in progress earlier this year


Last year it was just me and my daughter (and her friends) at my house for the Tour. This year I've asked my friends Monika Lemmon and Chris Otten to also show at my house. 

Lithosphere by Monika Lemmon (you can't have this one because I own it), see more at her website


Monika is a painter and also works in painting and sculpture. She from Yakima, though she spent some time teaching out of state, and you may have seen her work at Larson Gallery, Boxx Gallery, Yakima Maker's Space/Collab Coffee or The Seasons. She has work in the Larson Gallery collection at Yakima Valley College. I used to eat lunch in a room with one of her paintings at YVC and now some of it is found in Chris Otten's office and in the new Larson Gallery.

Photograph by Chris Otten, from his Endless Horizons series, see more at his website


Chris Otten is a photographer and photography instructor at Yakima Valley College. Chris taught photography in Florida and Colorado before moving to Yakima. At YVC he teaches digital photography, digital design, and photography history classes for YVC, and this past year he was the only full-time art faculty still working after the rest of us full-timers left the state or went on medical leave. Around here, you may have seen his work at Larson Gallery, Sarah Spurgeon Gallery, or Terrain Gallery in Spokane.

Alison and her friends at last year's tour, find their work on Instagram at Dezignosaur 


Last year my daughter and her friends sold their handmade polymer clay, felted, and beaded jewelry during the tour. The plan is for them to do so again this year, though they are much busier with school stuff this year than they were in the lead-up to the 2021 show.

heart-a-cath mugs waiting for glaze


I will be right at the end of my radiation treatment when this tour takes place, so I've already let Chris and Monika know that they may have to take on the hard jobs. I've been told that I might be fatigued and I might be hurting like I hae a really bad sunburn. As of my checkup today (2 weeks in), I have some fatigue but my skin is holding up fairly well so far), but it sounds like these things are cumulative. I figure that if I'm too tired or sore, I can rest and give over more of my studio space to Monika and Chris.

postcard back, this year's tour


I'm still hoping that I'll be feeling good (or reasonably good) throughout the month and these treatments. I've got a kiln ready to unload today and I'm hoping I can get two batches of work fired before the tour. I've got sculptures in progress and some functional work that I'd like to fire to a higher temperature.


port-a-cath sculpture in progress


Besides my unknowns this year, I think this year's tour should be a strong one. We've got more artists exhibiting at various studios and hopefully folks enjoyed their experience last year and are inviting more folks to come see the studios this year. The goal is to make this an annual show and I know that I'm looking forward to doing it again next year when I'm hopefully feeling 100% in the lead up to the tour.

trifold ad for this year's tour


If you wish to buy tickets, you can buy them ahead of time from me, Chris, or Monika, or other artists. You can also simply show up at the studio that weekend and buy your ticket then. For folks who are thinking about coming on the tour, we have trifolds and postcards that I can get you. Once you buy your ticket(s), you get a nice booklet featuring artists statements and bios, photos, artist listings, and a map of participating studios. 

new abstract bulb in progress
 

I hope to see you on Labor Day weekend at my studio. Let me know if you'd like to buy tickets ahead of time, put up a poster, or if you have questions about the tour. 


Saturday, July 30, 2022

First week of Radiation, plus a setback in PT



I have now completed the first full week + two days of my radiation therapy. Last Wednesday (earlier than I had expected it could happen), I had kind of a practice run, and then real radiation treatments on Thursday and Friday. This week I've had five more treatments. I have radiation daily, M-F, through the start of September. I've got six and a half weeks total, or 33 treatments. The radiation is targeting the whole breast as well as the lymph nodes in my armpit and those near my collarbone on the left side. The last week of treatments will be a boost to the area where they removed the tumor lump from my breast. 

some bulbs I've nearly finished, underglazed and now waiting for glaze


Why my treatment has to be so long

I had some trouble, and apparently keep having a bit of trouble, understanding why the treatment has to last so long. I'd read about accelerated whole breast radiation (or hypofractionated radiation therapy for breast cancer) and couldn't understand why "new guidelines" from 2018 for speeding up treatment wouldn't apply to me.  I asked my doctor last week why my treatment couldn't be sped up. She explained that my treatment couldn't be accellerated because I'd already had chemotherapy, which pacified me for a week until I started to write this post and fell down the same rabbit hole, again, when I saw the bullet list from the BreastCancer.org article that says "The decision to offer hypofractionated whole-breast irradiation should not depend on...previous chemotherapy." I reread the PubMed article (I've read a whole lot more medical research reports this year than ever before in my life!) and did, eventually figure out that my issue is the combination of lymph nodes and previous chemo. 

a detail of the underglazing process of a sculpture I'm working on

Not only is there a lot of dense information out there, and not only does breast cancer have a lot of complications and variables (hormone status, HERS2 status, nodes, size, and grade), but when I read about it, I'm not an unbiased reader. Especially in this case, I wanted to find that my treatment could be done more quickly, so I had trouble finding or understanding why it couldn't.

the sculpture with the orange underglaze layer partly removed

As my doctor originally, said, and as I finally accepted (twice), because I've already had chemotherapy, a systemic treatment that impacts the whole body, not just the breast, the increased dose of accelerated radiation risks causing scar tissue to my lymph nodes. If the cancer had never been in the lymph nodes and I'd had chemo, I could have tolerated the increased dose of radiation to just the breast that is delivered in the accelerated approach. The unspoken part of this, too, is that my lymph system is already working at a deficit because I'm missing 15 or 16 nodes (because they were removed).

the orange underglaze removed, ready for glaze

Radiation & preparation

Wednesday's practice was longer than the actual treatments, as they were checking that everything worked right, I think. The pillow thing ("cradle") they made for my arms was apparently unusually wide, as they had to kind of break off part of it to get the machine to fit on the right side. (When I walked into the room for the practice, one of the radiation techs who hadn't met me before said she was surprised I was so small given the size of the cradle). They also changed the position of my right arm from what it had been during the planning CT scan. That means that my right arm doesn't go into the molded position of the pillow. It also means that every few days, when a new person is working in the radiation room, they will tell me that my arm is in the wrong spot. I suspect it may contribute to the feeling of loosing blood flow to the fingers of my right hand.

bulbs in the kiln with the first underglaze layer or waiting for their first bisque firing

The radiation itself is pretty quick. I walk into Northstar, tell the person at the front desk (who usually already knows my name) that I don't have COVID symptoms, then walk directly into the changing area and grab a gown. The gowns are sized for people who are much taller and much larger than I am. It's unfortunate, because with how warm it has been, I don't really want extra fabric on my body, luckily they let me leave my shorts on, so I can just leave the gown wide open in back for a pleasant breeze.

I thought the gown was big on me, but then a smaller woman walked in and hers just about dragged on the floor!

Depending how early I get there, I wait next to the changing rooms for anywere from 1-10 minutes (though, honestly, the first day was the longest wait and usually if I show up early, they get me in early). Then a radiation tech comes to take me back to one of two radiation rooms. Since they make me take off my watch when I change, I'm not sure exactly how long the whole process takes, but I timed the process from watch off to watch on again after I get dressed and that was 12 minutes. In the radiation room, I lay down on the bed thing, get my arms and head positioned in the pillow depressions and the techs running the machine put a lift under my knees and a foam foot holder in place (presumably to keep me still and in the same position each time). Usually the knee holder is slightly sideways--I assume this so that I don't get too comfortable.

The cradle thing that positions my arms looks more like the "inferior vaccum bag form" on the right, though it isn't blue. Image from Smither's Medical Products.


Next they check the tattoo(s) on my side to make sure I'm positioned right. They've only adjusted me twice, which worried me at first, since it seemed too easy.  They position me using a couple of laser lines. I can see myself in the reflective glaze in the ceiling and also in the reflective part of the radiation machine. From above, the lasers form a green + across my chest and left arm and up the side of my body. They cross near my shoulder. From the side view of the reflective glass in the machine, the one laser line follows the countour of the breast being treated.

This diagram form the Mayo Clinic shows what's happening in the machine, and also gives a pretty good approximation of how I'm positioned


After checking my position based on the tattoo on my side, they have me take a breath and hold it so they can check the tattoo near my shoulder. They rub the bottom of a block thing (to warm it up, I think) that looks like an alarm clock and put it on middle just below my breasts. This block somehow tells them if I've taken and held my breath correctly. Someone says "twelve point nine" and part of the radiation machine whirrs itself over to my right side where it almost touches my elbow. This is the part where they needed to hack away part of the pillow during the practice session last Wednesday.


This picture is similar to what I experience, and shows the round part tilted to the side. I found the image on RadiationInfo.org

Every day except for the second Thursday, the sequence has been the same. They say that we are ready to start and the techs exit the room. Then someone on the intercom tells me to take a breath and hold it. The machine whirrs a bit, then stops and the tech tells me to breath. Both the bed and the other parts of the machine can move. When we start, the biggest part of the machine, a round white part roughly two and a half feet wide is looming over me at about a 45 degree angle, nearly touching my elbow and the cradle. This has a ten inch piece of glass (that I can see my body and the laser reflected in) with metal teeth things behind it. The teeth are long metal pieces with pointed ends that can open and close all together or separately. I looked it up, and this is called a collimator. As I had guessed based on watching it in action, it is used to control the shape (and size) of the radiation beam.


The collimators on the machines I use look a lot newer and more friendly than this picture from the cyclotron at University of Washington (image from Wikipedia)


Next the metal teeth-looking parts of the machine close most of the way. The teeth are behind glass and can all move together or move independently. That part of the machine starts on my right, very close to my body and face. The first breath hold is in that position and lasts about 10 seconds. Next the teeth move, then the collimator moves to be directly above me. The short breath hold is followed by two long breath holds each lasting about 20-25 seconds (as measured by my highly inconsistent counting methods). The collimator moves to my left and I don't know what it does over there because I'm required to look to the right the whole time and my reflective surface doesn't extend that far. I have another short breath hold with the machine on that side. Then it's all over, but I have to wait for the techs to lower the bed thing which has raised up while I've been prone.




How I'm handling it

After the first few times, I was worried, actually, that it was so easy. They've only corrected my breathing once (told me to let a bit of air out) and they've only adjusted my position twice. It felt too unlikely that I got myself into the exact right position on the first time every day. But I've now met with my radiation oncologist twice (last Friday and this Thursday) and she said that I was doing great with my breath hold (yes, I was complemented by a professional on my ability to breathe). 

a batch of bulbs after the first underglaze layer was fired in place, waiting for the second


Thursday I was mildly alarmed that the order of the machine's movements and the timing of my long and short breath holds was different. The technicians explained that at the end of each week they'd do something a bit different. I didn't understand it, but I was mostly just checking for them to say "oh no! we gave you somebody else's radiation today" or something, so I was happy when that didn't happen. 

the first layer of underglaze on a port-a-cath bulb

So far I don't appear to be having a skin reaction to the radiation. Everything I've read or been told by folks who've done radiation makes me think my best shot at avoiding a painful skin reaction and/or the fatigue that many people complain about is to apply lotion to the area every day, wear loose clothing that doesn't rub or constrict the area, drink plenty of water, and exercise. The nurse and doctor both said that they can't really predict if I'll have a bad reaction, but suggested those same things to try to prevent it. Apparently being on the smaller side is a potential advantage, as more breast tissue can mean a worse reaction. On the other hand, it sounds like pale and/or sensitive skin might also mean a worse reaction, so I'll just have to wait and see. Women who've had radiation say that the reaction is worse the longer the treatment goes, and mine is longer than most I've heard of.

the first layer of underglaze on the low areas of a bulb

I'm presenting all this calmly now, but last week I was nearly in tears from how worried and generally stressed out I was about starting radiation. I was disappointed that the 5-6 weeks of radiation predicted in December had become 6.5 weeks. I hadn't realized how much I was counting on more time between radiation and the start of the Fall quarter at YVC. Northstar got me in faster than I thought they'd be able to last time I posted, but the extra surgery and the recovery time after surgery extended the timeline beyond what I'd been hoping back in December or April. 


As it stands, I will be finishing radiation on September 6 (my previous estimate ws that September 7 was the earliest time possible, and I'd forgotten about the holiday). Convocation for faculty and staff at YVC starts the next week (with students returning the week after). I'm doing everything in my power to set myself up to be not fatigued (exercise) and not in pain (lotion and hydration) in the last weeks of radiation and the time right after, but I've had some setbacks on the exercise side of things. The last weeks of radiation and the weeks right after are when others tell me they had the hardest time. Worrying won't help, and I can't change the weather, so I'm trying to keep my focus on what I can do today.


interior view of my studio during the 2021 Tour of Artists' Studios



Tour of Artists' Studios over Labor Day weekend

With the assumption that I'd probably be done with radiation by then, I agreed (months ago) to have my studio on the Yakima Artists' Studio Tour over Labor Day weekend. I did this last year and I like the idea of the tour coming to my house, rather than having to bring myself somewhere else. My colleagues and friends, Chris Otten (photography instructor at YVC) and Monika Lemmon (painter, mixed media artist, and soon to be drawing instructor at YVC) will also be at my house and I've told them if I feel bad they're in charge of all the hard stuff.

sign from last year's Tour

If you would like to visit me on Labor Day, my studio will be open Saturday and Sunday from 10-4 and Monday from 10-12. Tickets are $10 each and you can purchase them from me ahead of time or when you get to the studio. You can also buy them from other artists and locations, but I make more money if you buy them from me. I am hoping to have some of my new port-a-cath mugs and bulbs and sculpture done before the show (and some bowls, too, if I really get motivated), but my studio time has been unpredictable this year and this summer.

port-a-cath and heart-a-cath mugs waiting for glaze


Physical Therapy & a little set back

I also started Physical Therapy (PT) this week, in addition to continuing my Occupational Therapy (OT). The OT (at the lymphedema clinic) is mostly focused on increasing my range of motion and preparing me for how to prevent lymphedema, as well as how to recognize the symptoms of lymphedema. I've learned and have been doing some exercises to increase range of motion in the left arm (after they cut into it and removed a bunch of lymph nodes). I've also learned and have been practicing lymphatic drain massage, which is intended to "prime" the lymphatic system and help drain lymphatic fluid away from the arm and the side of the body where the surgery was and the radiation continues to be. Radiation is (hopefully) the most taxing thing that's going to happen to the weakened lymph system on that side.

the cats know it is too hot 

The PT is also focused on increasing range of motion, as well as increasing strength. The exercises she has me doing involve a bit more of my body, with the idea that other muscles in the back, trunk and shoulder support the arm. My physical therapist also talked with me about how to adjust my position so that I don't get backaches while typing on the comptuer for a long time. My goal is to get back to regular exercise and weight lifting, but this week I had to readjust my ideas of how fast that might happen. 

My PT had me take a picture of myself at my desk. Here's what I'm doing wrong: feet aren't flat on the ground, upper arms should be parallel to my body, forearms should be supported, computer screen should be lower, back should be supported

I have radiation every day and was scheduled for OT and PT on Tuesday, but OT called and said that those three things in one day were too much, especially in combination with the high temperatures this week (highs have been 107-110 this week). So I did PT and no OT that day. PT Tuesday was mostly first-day kinds of stuff, like getting my history and checking my range of motion and posture. At this point, the history of my medical experience this year takes some time to relate. We also did a few exercises and she gave me some homework stretches.


We don't have AC or insulation upstairs, so the cats intentionally choose the hottest spots in the house


That night, Tuesday, I walked down to Davis at the end of Alison's band practice with the idea that I'd walk home with her. It was 9pm, but still 91 degrees out. I only walked two blocks, but they were late getting ou. Basically I was out in 91 degrees, no sun, for 10 minutes, including a casual walk (downhill) and standing around. But the heat bothered me so much that after 5 minutes of waiting, I started back home. My OT had told me to watch out for being outside in very hot weather for too long. I think she said above 103 for 15 minutes. This wasn't that, but I still got scared. My husband happened to be driving home right then, so he actually picked up up a block from home and drove me home!

melty warm stretches

My OT said that I could do up to 20 minutes of exercise every other day, but I needed to keep it low impact and I couldn't use weights. So Wednesday morning, following her instructions, I did a (modified) 20 minute indoor cardio workout video which seemed fairly mild compared to what I used to do. It didn't seem like a strain, but by the end of the day Wedesnday, the side of my chest under my arm had swelled a bit. It isn't clear whether the swelling was from the heat or the exercise (or the radiation), but when I saw her on Thursday, my PT suggested I reduce my activity to just 10 minutes every other day. 


Alison trying to train the cat to do indoor exercise, too

It feels very strange to do so little, especially as I've been advised that I should be exercising during radiation to ward off the fatigue. This week, there really isn't anytime when I can walk outside, let alone run (or jog). Last week I was avoiding walking between 10am and 5pm, but this week even getting up at 7am or walking after 9pm didn't work, since it never gets cool enough during that time. Maybe I could walk in the middle of the night, but I'm not sure that's a great choice in my neighborhood. Instead I've been driving to Target or Lowe's to walk inside.


the weather on Tuesday night at 9pm (91 degrees), and forecast for the week (108 on Wednesday, 110 on Thursday and Friday)


I went back for a second PT appointment on Thursday and we did more than on Tuesday, though my idea of what I "should" be able to do by now and My PT's idea of what I actually "should" be doing right now to ease myself back into my previous routine are not perfectly simpatico. She started me on an exercise machine that was a bit like a recumbent bike. There was a place for my feet and bars for my hands, though she didn't want me to use my feet. The wildest thing, to me, was that she turned the seat 90 degrees to the side, then had me sit, then turned it back to front-facing before I began. She had me gently use my arms to pump back and forth for about 2 minutes, then she turned the seat to the side again before I got up. Meanwhile, I'm thinking that last time I was on a similar machine, I did 20 minutes of intense rowing! Of course, that was way back before Covid when I used to go to the Y (without a mask).

I feel like I've been assigned the cat-level of exercise

After the rowing, we did a variety of arm exercises, while my PT corrected my positioning. I tend to arch my back backwards to get my arm up higher and I tend to lift the left shoulder. She says this is normal in folks who've had a surgery like this, as we instinctually do that to protect the shoulder. The challenge is to work against that instinct, while increasing strength and range of motion.

Another sculpture I'm hoping to have finished for the Labor Day Tour

Of course the other challenge is to be patient with the process. I still have some swelling today (three days after I first noticed it), though I've been avoiding the heat and continuing to do the lymphatic massage. It doesn't appear to be worse, but I think I'll feel better once I see my OT on Tuesday. I anticipate that I'll be gently scolded for overdoing it, but I'm hoping she'll also be able to give me a sense of how concerned I should be and if there's anything else I can do to make it reduce. The PT, on Tuesday and Thursday was very good at helping me understand better the parameters of what I am and am not allowed to do, which I appreciate very much, even if it is annoying to have these restrictions.